As I was chatting with Danesh, one of the volunteers, I commented on the lack of familiar software. He laughed quietly and replied, "We say another world is possible! Well, how can a new world be created on Windows platforms?"
WSF: Dateline Mumbai, January 16, 2004
Media Is The Message
(By Naeem Mohaiemen --
naeem_bangali@yahho.com)
"Another World Is Possible" says the WSF's slogan, brightly flowing from flags along the highway. "The World Is Not Enough" proclaims an Economic Times' business insert (un-related to WSF). I look at that juxtaposition and find a reflection of the mainstream media's reaction to WSF. Hyper-capitalist, fast-paced Mumbai was an odd cradle in which to host the WSF. If activists are puzzled by the location choice, the Indian media is equally confused by the event itself.
Uncertain how to deal with the WSF, the media has alternated between ignoring the event and condescending to it. The weeks prior to January 16th, the newspapers mainly ignored the press releases flowing out of the Goregaon media center. As the week of the event approached, the statistics forced even conservative papers to take notice. 100,000 delegates from 114 countries are registered for 1,200 workshops and 1,000 stalls. The alternative media is a bold presence here-- 2,000 registered journalists are covering the event, with simultaneous translation into 10 main languages. Faced with these imposing stats, even the staid Time Of India has finally begun covering the event. The first few days, the news-boxes appeared in the Metro section (on a page called "Spicy City"). I kept scanning the pages looking for something substantial. A steady stream of Shahrukh Khan (the Star Academy Awards are this week), Sharad Pawar (new Congress coalition talk), Riya Sen (Munmun Sen's daughter bares bejeweled-tummy), and Salman Rushdie ("I am just here to support Padma") flooded the pages-- but hardly any WSF news made the big headlines.
On January 15, The Times printed, above the fold, a photo of flying pink flamingos at the Sewri mudflats. The caption said, "Pink on Mumbai's Horizon (And The World Social Forum has still to start)". Organizers were puzzled by this crude and gratuitous equation of the WSF with "red", "communism", etc. In fact, by my estimate, this is a very archaic and ineffective form on critique. The organizers are seeking alternative forms of globalization and economic development. This is hardly a "red" position in 2004-- in fact, many mainstream groups advocate similar reform. In fact, the hard-left is represented by Mumbai Resistance (MR), which is boycotting the WSF and holding an alternative forum. MR says the WSF is too mainstream and dominated by big, "corporate" NGOs-- they even object to groups like Friends Of Earth and Greenpeace. There is even controversy over the WSF's use of Ford Foundation funds for the previous year's WSF.
The opening day of the Forum, the Times finally dedicated a full page of coverage to it. Seeking some familiar image to comfort readers, the Times picked a Bollywood mural for the front page-- even though the mural in question was part of an exhibit critiquing globalization's impact on culture. Inside, among a few good stories, there was still an air of condescension. One piece began, "The world is washing up at Goregaon, even if the local rickshaw driver doesn't know why." The article went on to talk about "hammers and sickles" (a silly exaggeration), "bewildered videshis" and "the Western Express Highway rapidly turning red". In spite of this tone, there was some grudging respect because of the "galaxy of high-profile speakers," including Nobel laureate Shirin Ebadi, Shabana Azmi, Arundhati Roy, Mary Robinson, Ahmed Ben Bella, Vandana Shiva, and Mustafa Bargouthi. Special focus was also given to peace campaigners/musicians like Junoon, Indian Ocean and Gilberto Gil. In fact, the safe areas of music, theater and art garnered the most positive media coverage. Finally, in another nod to star power, the Times editorial page ran an interview with Joseph Stiglitz, author of "Globalization & Its Discontents" and one of the star speakers at WSF. In the introduction, the writer called him "the outsider who came in from the cold"-- an odd term for a former Chief Economist of the World Bank and advisor to the Clinton administration, but appropriate given his new role as a vocal critic of unfettered free market dogmas.
Even when giving flattering coverage to the high-profile participants, the papers still slip into a tone of "Who are all these people, and what do they want?" In MidDay's special feature, a chart highlighted five star speakers, and then added a section called "Who Has He Pissed Off?" Typical entries in this section are the ones for Stiglitz ("The World Bank and the IMF-- he resigned over disagreements") and Jose Bove ("McDonald's -- he demolished an outlet"). But the more sobering one is for George Monbiot, Guardian journalist and author of "The Age Of Consent." Under "Who has he pissed off?" runs a list of horrendous travails in the line of reporting: "He has been shot at, beaten up by military police, pronounced clinically dead and had a metal spike driven through his foot."
Anticipating the mainstream media's dismissive or lopsided coverage of the WSF, the event organizers have focused heavily on creating their own media infrastructure. Following the model of IndyMedia.org and many other decentralized news groups, there has been a big push to create self-generated press coverage, without depending on the major outlets. Although the opening day of the WSF has at times seemed overwhelming, the Media Center has been humming along like a smoothly oiled machine. Walking into the Media Center for the first time, I faced a bifurcated selection system. There was one room for "Alternative Media," and a much larger section for "Mainstream Media." Driven partially by the better ratio of computers to people, I registered as "Alternative" and headed to the less crowded room. It was clear that technology and media was a key focus of the planning committees. Naresh Fernandes, formerly a fixture of New York's journalism scene, was one among many organizers who worked round the clock to set the center up.
On opening day, we were pleasantly surprised to find the Media Center full of two hundred computers, fully wired and connected over high-speed Internet lines. A few technology veterans were being assisted by dozens of young volunteers. As with much technology, the younger the volunteers, the better they were able to troubleshoot problems. Even with outlandish requests (one French journalist wanted to install her Palm Pilot software on the machine, until I pointed out she would be using a different machine every time), the volunteers are handling it with calm perseverance.
In keeping with the WSF spirit, None of the machines have Microsoft Windows products. Instead, the Free Software Foundation is running Linux-based free operating systems, with open-source software like Open Office (Debian Project) and Mozilla web browsers. As I was chatting with Danesh, one of the volunteers, I commented on the lack of familiar software. He laughed quietly and replied, "We say another world is possible! Well, how can a new world be created on Windows platforms?"
Because if it was effective then this is a first level opprortunity for FSF : make journalists everywhere understand OpenSourced products are the way to go for their daytoday work ....:)
Were REKHA & RAKESH ROSHAN mere puppets in the hands of DESTINY? — Devdas “Kusum”
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25th March, 1981 a real life incident at the shooting of “MADHURI” the FILM
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A Reaction of a Journalist friend.....
Compelling a renowned & famous Journalist and Press Photographer Devdas “Kusum” known for his friendly heartwarming behaviour towards one and all to literally kill his professional self by Rekha - the Actress of Film “MADHURI” supported by the then upcoming Actor, Rakesh Roshan.
http://www.KUSUM.com ------------------------------
But, my inner self still insists that it was " DESTINY " and that REKHA & RAKESH ROSHAN were mere puppets in its hands.
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It was my peak time then.....
Nationally, Internationally my written Articles & Photographs were being published regularly in every known publication in every language.
PRO of Film “MADHURI” invited me to shoot the film stars Rekha and Rakesh Roshan at Madh Island, Mumbai, INDIA and He came along with me in my car to the location.
Earlier on various different locations and at different dates, days and times I had shot Photographs of Rekha. Quite a few of them had already appeared with credit to me in reputed publications of that time.
I was visualizing inside as to how best I would bring her out in Photographs at that location.
Continuously for many hours I had clicked lot of Photographs of Rekha and Rakesh Roshan. We also had lunch together during break time, when all of a sudden....
Rekha mysteriously changed her mood called me in front of all those present angrily and said “DEVDAS!, GIVE ME THE COLOUR ROLL FROM YOUR CAMERA NOW...”
Shocked the people present around a few of them regular and permanent staff of the Film Industry, tried to pacify Rekha to continue the shooting but she became adamant and stopped all activities.
Watching this Raakesh Roshan came to me, put his hand on my shoulder taking me aside in a corner pleaded, “Devdas, my future is at stake. I have two more films coming up with Rekha which could make my career. I do not have any other assignments with any other top heroine. If she is displeased my future ends here.”
Hearing Rakesh Roshan I simply opened my Camera handed over the Colour Roll to him without uttering any word. He gave it to Rekha who seemed to derive immense sadiastic pleasure in throwing my hard work into the Madh River waters.
Seeing all this all people around said lot of nasty things about Rekha..
But my mind reminded me that it was all “DESTINED” AND that REKHA & RAKESH ROSHAN were pre-assigned by its hands.
Although I accepted all this as part and parcel of life, yet this did not bring any comfort to my mind. I felt horribly depressed.
In that depressed state of my mind while driving back home, I threw my expensive Camera and Accessories to the Madh River (Sea) as well and walked out completely robbed of everything.
That depressed state of mind created a blank mental state of mind in me making me completely aloof from all kinds of work, creativity and activity. Besides forcing me to keep away from even known friends and relations.
The then famous publications including “MAYAPURI”, “SHAMA”, “SUSHMA”, “FILM FARE”, “FREE PRESS JOURNAL”, “CHITRALOK”, “CHITRAPAT” AND various other renowened magazines, journals had carried the news of this incident at the shooting of film “MADHURI” and had expressed “REGRET” at the unprofessional conduct of Rekha.
“MADHURI” a Times of India publication’s, Editor-in-chief, Shri Vinod Tiwari had written me an unforgettable as well as a unique letter on 30th March, 1981 about this incident at the film “MADHURI’s shooting... anyway........
I have many more mails from the bigwigs of the Film Industry & Journalism than besides cuttings of various known publications that had mentioned this “MADHURI” incident on prominent pages.
I am 66 years old (Born on 3rd February,1938) and my only “Treasure” today is “My work”. The results of continuous releases of my Photographs, Articles in all National and International publications in English and all regional languages that I cherish and hold as my “Lifetime Memories” !
Incidentally my first article appeared when I was just “12 years” old. After which I did not look back to become a renowned Journalist & Press Photographer marching forward in full gear, happiness, success and support but the incident of 25th March, 1981 put full brakes to it and ended it all unceremoniuously.
After this “Unforgettable Harrowing Incident” I have lived a Lonely Depressed Listless, Eventless, Aimless, life for years lost and forgotton. My creativity, activity, dreams, aspiritions, inspirations spread as ashes on the path I tread today.
Great Shree Amitabh Bachhan Ji had cared and looked after Respectable Shree Harivansh Rai Bachhan Ji, for years helping him tide over his day to day living. Similarly my children have continuously cared and looked after me helping me tide over my day to day problems, helping me retain my Sanity, my Entity.
Keeping Devdas “Kusum” alive for the world. Waiting for the day when their father will once again be in the limelight of the World of Journalism and Press Photography. (
http://www.KUSUM.com)
While accepting “FILMFARE” Awards for the first time in his career Rakesh Roshan had said with a heavy heart that, “Bhagwan ke Ghar Der hai, Par Andher Nahin”.
Will God look at me.......?
Please enlighten me, guide me, show me the way, I should travel to reach the same glory, name, fame, prosperity and popularity that I lost.
I am strong. I have immense will power and energy to do my work in my own creative way but being unguided, unsuportted, lonely and alone I seek your kind co-operation.
Will you please come forward and Guide me?
With Humble Greetings -- Devdas “Kusum”
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JYOTHI VENKATESH
(Famous Journalist & My Dearest Old Friend)
Found out about my isolated living and tried to personally meet me at my Chembur residence at three different dates and times (and knowingly on my cell phone I used to say that I am out or not at home to receive him) as I still do not know how to accept past relationships.
However gaining some confidence, I emailed him in Hindi language my present state of mind on 10th February, 2004 to which he immediately responded warmly in same Hindi language as follows:-
Hi Devdas
Rakesh Roshan ki jiwan ko roshni dete dete apne jeevan andhere mein dalne wali kahani padkar mujhe dukh huwa.
Belated happy birthday to you.
Kya isiliye mujhe pehle bataya nahin kyonki main party maangoonga? Ab teen baar hum milneka plan karneke bawajood meri taraf se nahi balke aap ki taraf se cancel kar diye gaye the -- Jyothi Venkatesh
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DEVDAS “KUSUM”
Editor & Publisher :
http://www.KUSUM.com,
http://www.BollywoodPulse.com,
P.O. Box 8828, Mumbai - 400074,
India
Email :
Devdas@INDIA.com Cc :
PressMatter@HotMail.com Tel : 2553 7171 / 2553 28 61 Mobile : 91 98211 30305